Response to Paul Aguirre-Livingston's "Beyond Gay" in The Grid by Chris Dupuis

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After much thought, I've finally written my response to Paul Aguirre-Livingston's article Beyond Gay from The Grid's June 9th i...
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Response to Sun News Interview with Margie Gillis by Chris Dupuis

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On June 1, 2011 Sun New anchor Krista Erickson interviewed Canadian dance icon Margie Gillis , ostensibly as part of an “ongoing examination...
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The Monument: A Response by Peter Kingstone

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World Stage Embassy members have been contributing writing to Time and Space about the programming in the 2010/2011 World Stage series at Ha...
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Louise Lacavalier/Fou Glorieux: A Response by Krista Posyniak

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As the house lights came up, I tried to turn and put my coat back on. Instead, I found myself slumped down in my seat with tears streaming d...
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The Complaints Choir: Response by Cole J. Alvis

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On the day we all woke up to yet another beautiful but unwelcome blanket of snow Harbourfront Centre brought their Complaints Choir to the A...
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La Voix Humaine: A Response by Hannah Cheesman

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A Dutch company and performance, a French play, and English subtitles. This certainly is World Stage. And to fill in those blanks: Toneelgro...
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Floating Critical Response by Alistair Newton

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In his review of Peter Brook’s landmark multi-hour adaptation of The Mahabharata , American director/critic Charles Marowitz posited that if...
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